{"id":2217,"date":"2023-07-10T16:04:50","date_gmt":"2023-07-10T14:04:50","guid":{"rendered":"https:\/\/kaethe-kollwitz-digital.de\/unkategorisiert\/from-many-wounds-you-bleed-o-people\/"},"modified":"2023-09-05T16:29:57","modified_gmt":"2023-09-05T14:29:57","slug":"from-many-wounds-you-bleed-o-people","status":"publish","type":"post","link":"https:\/\/kaethe-kollwitz-digital.de\/en\/permanent-exhibition\/from-many-wounds-you-bleed-o-people\/","title":{"rendered":"&#8216;From many wounds you bleed, O people&#8217;"},"content":{"rendered":"\n<p class=\"has-large-font-size\">Intended as the final sheet of the cycle <em>A Weavers&#8217; Revolt<\/em><\/p>\n\n\n\n<p>This etching was designed by K\u00e4the Kollwitz as the seventh and last sheet of her cycle <em>A Weavers&#8217; Revolt<\/em>. As the final piece, it provides a concluding commentary on the events in the preceding six art works. <\/p>\n\n\n\n<p>Upon showing the graphic cycle to the art critic Julius Elias, Kollwitz followed his suggestion and refrained from publishing the final etching together with the other pieces in the series. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8220;In the winter of 1897 to 1898, Mrs. Kollwitz appeared at my house to show me a work of seven sheets that had matured in secret, to hear my opinion and to ask my advice. [&#8230;] It was the Weavers&#8217; Revolt. I saw and was overwhelmed. [&#8230;]    <\/p>\n\n\n\n<p>So, it was probably a misguided side step to conclude this modern historical tragedy of social life with a symbolism that is not life. [&#8230;] It was obvious that the realism of the final piece would bring a false tone into the poetic worldliness of the complex, inwardly intergrown sequence of scenes; [&#8230;] And on my advice, the just weaver&#8217;s struggle [&#8230;] remained for itself, summarized, unified \u2014 in chiaroscuro, grandiose; a modern heroic song.&#8221; <\/p>\n<cite>Julius Elias, K\u00e4the Kollwitz. In: Art and Artists, monthly journal for art and crafts, Berlin, volume XV, 1917, issue XI (August), p. 540\u2013549.<\/cite><\/blockquote>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/kaethe-kollwitz-digital.de\/wp-content\/uploads\/2023\/07\/DA_Video_Aus-vielen-Wunden_ENG.mp4\"><\/video><figcaption class=\"wp-element-caption\">Video about the work &#8216;From many wounds you bleed, o people&#8217;<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-normal-font-size\"><a href=\"https:\/\/kaethe-kollwitz-digital.de\/en\/permanent-exhibition\/a-weavers-revolt\/\">Previous Post: Early Work &#8211; &#8216;A Weavers&#8217; Revolt&#8217;<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-normal-font-size\"><a href=\"https:\/\/kaethe-kollwitz-digital.de\/en\/permanent-exhibition\/germinal\/\">Next Post: Early Work &#8211; &#8216;Germinal&#8217;<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-16018d1d wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/kaethe-kollwitz-digital.de\/en\/tour-permanent-exhibition\/\">Back to table of contents<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Intended as the final sheet of the cycle A Weavers&#8217; Revolt This etching was designed by K\u00e4the Kollwitz as the seventh and last sheet of her cycle A Weavers&#8217; Revolt. As the final piece, it provides a concluding commentary on the events in the preceding six art works. Upon showing the graphic cycle to the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1501,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"templates\/template-cover.php","format":"standard","meta":{"footnotes":""},"categories":[32,30],"tags":[],"class_list":["post-2217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-early-work","category-permanent-exhibition"],"geo":null,"_links":{"self":[{"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/posts\/2217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/comments?post=2217"}],"version-history":[{"count":3,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/posts\/2217\/revisions"}],"predecessor-version":[{"id":2347,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/posts\/2217\/revisions\/2347"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/media\/1501"}],"wp:attachment":[{"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/media?parent=2217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/categories?post=2217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kaethe-kollwitz-digital.de\/en\/wp-json\/wp\/v2\/tags?post=2217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}